The Discography

The Works

16 albums
One frontier
California Kingdom  — Five Volumes
California Kingdom, Tome I
California Kingdom
Tome I
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California Kingdom, Tome II
California Kingdom
Tome II
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California Kingdom, Tome III
California Kingdom
Tome III
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California Kingdom, Tome IV
California Kingdom
Tome IV
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California Kingdom, Tome V
California Kingdom
Tome V
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Latest Dispatches
The Price of Blood 1
The Price of Blood
Vol. 1
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The Price of Blood 2
The Price of Blood
Vol. 2
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A Cure for Death, Tome 1
A Cure for Death
Tome 1
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A Cure for Death, Tome 2
A Cure for Death
Tome 2
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Outlaws & Outlanders
The Legend of Midnight Rebel & The Ringo Kids
Midnight Rebel & The Ringo Kids
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A Hundred Miles to Hell, Tome 1
A Hundred Miles to Hell
Tome 1
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A Hundred Miles to Hell, Tome 2
A Hundred Miles to Hell
Tome 2
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Blood & Betrayal
The Blood Ballads
The Blood Ballads
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Les Tricoteuses, Tome 1
I Smell the Blood of Les Tricoteuses
Tome 1
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Les Tricoteuses, Tome 2
I Smell the Blood of Les Tricoteuses
Tome 2
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The Composer

The Architect of
Post-Modern Western Music

Lionel Cohen is a Los Angeles-based composer and the defining voice of post-modern spaghetti-western music. His work does not merely invoke the genre — it dissects, reconstructs, and electrifies it, running Morricone's cinematic grandeur through a filter of industrial noise and gothic darkness.

Across more than fifteen albums, Cohen has built a world at the intersection of desert mythology and modern dread. California Kingdom, A Hundred Miles to Hell, The Blood Ballads — each record stakes a claim on territory no composer has mapped before.

His music conjures dueling silhouettes at dusk, ghost towns swallowed by sand, and the moral ambiguity that lives in the long pause before the draw. Cinema for the ears. The West, revisited.

Influences & Lineage

Defining the Genre

Post-Modern
Spaghetti-Western

The classic spaghetti-western was a European dream of America's violence. The post-modern version is America dreaming of itself — and not liking what it sees.

Post-modern spaghetti-western music takes the cinematic orchestral language pioneered by Morricone and Leone — tremolo guitars, whistling themes, brass stabs, ticking percussion — and subjects it to the sonic sensibility of the 21st century: industrial texture, ambient silence, digital decay, and noir-drenched darkness.

Lionel Cohen is the primary architect of this genre. His compositions do not quote the spaghetti-western tradition; they inhabit and expand it. The result is music that feels like it belongs to a world where the West never ended — it just got stranger, darker, and more ambiguous.

★   The Complete Recordings   ★

Listen Now

Post-Modern Spaghetti-Western Music by Lionel Cohen

Available on all streaming platforms & for purchase